Roustan Bodypaint Montage

http://www.roustanbodypaint.com/

Best 10 Tips for Face Painting

Tip 1: Value Your Paints
Professional face paint and stage makeup can be expensive, particularly if you're painting a whole kids party's worth of faces. Don't leave them around where people can get hold of them and try them out for themselves. Try out different types of paint to see which you find the best for working with, such as paint in tubs or paint in stick form. (See also: Safety Tips for Face Painting)

Tip 2: Sponge Don't Brush
If you're wanting to cover a large area or put on a base color, use a sponge to apply the paint rather than a brush, it'll be quicker. Having a different sponge for different colors eliminates the necessity of washing out the sponge during a painting session (the same applies to brushes).

Tip 3: Be Patient and Think Thin
Let the first color dry before applying a second. If you don't, they'll mix and you'll probably have to wipe it off and start again. Also, rather than applying one thick layer of paint, which may crack, apply a thin layer, let it dry, then apply another.

Tip 4: Visualize the Finished Face
Know what you're going to paint before you start, don't make it up as you go along. Kids aren't known for their patience and won't be able to sit still why you ponder what to do next. Have a basic face design fixed in your mind; you can always add special touches to this once you're finished.

Tip 5: Special Effects
The paint you're using will work as a basic glue. To create bumpy noses or big eyebrows, soak a bit of cotton wool in the paint, place on face, cover with a piece of tissue, and paint. Puffed rice or wheat make ideal warts; simply cover with a bit of tissue and paint. For an extra-ghostly effect, apply a light dusting of flour once you've finished painting the face (be sure to get your subject to close their eyes tightly).

Tip 6: Use Stencils
If you're not confident painting freehand, or are short of time, why not use a face painting stencil? Stars, hearts, flowers will all stencil onto a cheek. Have stencils in a few sizes to hand, to allow for small and larger faces. (The free stencils collection has a variety to print and cut out, including a some small face painting stencils.)

Tip 7: Temporary Tattoos
Even faster than stencils are temporary tattoos . But some people's skin reacts badly to them and they take longer to remove. Glitter is also great for a quick, dramatic effect, but it gets everywhere and is very hard to get rid of! (Also check that the glitter is suitable, seeSafety Tips for Face Painting.)

Tip 8: Getting a Decision
If you've got a row of kids lined up to have their faces painted, ask the next kid in line what they'd like a few minutes before you've finished the face you're currently painting. This way they've a little time to try to decide and you don't lose painting time. You may suggest a few faces, to try to limit the choice to one you're confident painting. Consider creating a chart of designs for kids to choose from; it makes it much easier for the kids to make up their minds. Include simple things such as hearts or balloons, as many kids love these.

Tip 9: Mirror, Mirror on the Wall, Who's the Most Beautiful of All?
Remember to take a mirror so the person who's face you've just painted can see the result. Also bring a high stool for kids to sit on; not having to bend over for so long will save you from back ache .

Tip 10: Stock Up on Tissues
You'll probably use more tissues or wipes than you think for wiping your hands, brushes, etc. Face painting can be messy, but it's fun! Baby wipes work fast and easy for 'mistakes'; you can also be assured they are safe to use on faces. (See also: How to Make Your Own Baby Wipes .)

R. Vasco da Gama, 978-1300 - Rio Branco

Porto Alegre - RS, 90420-111

Le Look Britney Spears - Hold it Against Me avec MAKE UP FOR EVER

Want to recreate Britney's "Hold it Against Me" look at home? Watch now as our celeb makeup artist David Hernandez shows you how to become the "Hold it against me" star!

Here are the basic steps:

COMPLEXION

• Apply HD Primer as your base using a nylon 30N brush, then unify your complexion with HD foundation according to your skin tone.
• Flatter your cheeks with some HD blush  #14 and blend up towards you temples.
• Sculpt you cheekbones with the Sculpting kit, using the darket shade under the cheekbone.
• Illuminate your complexion with a touch of Star Powder blending the HD Blush and the Sculpting kit together.

EYES

• Start by covering your entire eyelid with Aqua Cream #4 using the 14S brush.
• Apply Aqua Cream #2 into the crease of your eyes using the same brush.
• Then draw Aqua Eyes in 2L along your top and bottom lashlines.
• Intensify your top lashlines and waterlines with Aqua Black.
• Apply False Lashes n°157
• Blend some Aqua Cream #2 into the outer corner of your eyes.

LIPS

• Apply ROUGE ARTIST INTENSE #18 to your entire lips using a lip brush.
• Add a bit of light by applying Lab Shine M16.

Mist & Fix your look and here you have your Britney Spears look.

More details in the video.

gimme more

OK, I recognize that Britney worked her butt off on her Femme Fatale tour, but where was the star on TV? In February, I wondered why Britney had made so few public appearances when she was about to release a new album, and while we did eventually see her perform on a handful of shows like "Good Morning America," her promo schedule was nothing compared to those undertaken by Gaga, RiRi or Justin Bieber. Now that Britney is reportedly engaged and will take some time off, it’s highly likely we won’t be seeing much of the 30-year-old in 2012 either. We miss hearing from you, Britney! How about another MTV “For the Record” documentary when you release your next album?

http://newsroom.mtv....-stars-of-2011/ 

sempre lembro que tenho um blog. falta disciplina pra escrever aqui.

Never say no to Panda!

Tom Felton está no Rio para divulgar o último filme da saga Harry Potter

O Dia - Do que você mais sente falta?
Tom Felton - O que eu mais vou sentir falta, vai ser das pessoas. Já estou sentindo saudade. Menos o elenco, mais a equipe. São pessoas que eu via sempre nesses dez anos e eles fazem um trabalho incrível. Na verdade, os atores levam crédito demais. A gente não faz nada na verdade. A gente fica lá por cinco minutos. Os caras por trás das cenas é que fazem tudo.

the best food

Nick & Sam's Steakhouse, Dallas, TX

+ circus tour

fotos durante a circus tour, nos bastidores.
felicia encontrou a britney!!!

barber's pole :)

The origin of the red and white barber pole is associated with the service of bloodletting and was historically a representation of bloody bandages wrapped around a pole. During medieval times, barbers performed surgery on customers, as well as tooth extractions. The original pole had a brass wash basin at the top (representing the vessel in which leeches were kept) and bottom (representing the basin that received the blood). The pole itself represents the staff that the patient gripped during the procedure to encourage blood flow.

Barbers, being medieval surgeons, would be present at the birth of a child, and were there to cut the umbilical cord—a red (artery) and blue (vein) on a pale colour umbilical cord was passed to the parents by the barber after the umbilical cord had been cut, and this blue/red/pale tube or pole became the Barber's pole, and the symbol of the pole represents a freshly cut umbilical cord.
Others opine that the red, white and blue format in the United States may be an homage to the colours of the flag.

In some parts of Asia, a red, white and blue barber pole is used as a symbol for a brothel. While prostitution is illegal in many parts of Asia, laws against it are often not enforced to the degree that all public solicitations for it are eliminated. The barber's pole is used as a euphemistic way of advertising a brothel, thus reducing the likelihood of police intervention.

In South Korea, barber's poles are used both for actual barbershops and for brothels. Brothels disguised as barbershops, referred to as 이발소 (ilbalso) or 이용실 (iyongsil), are more likely to use two poles next to each other, often spinning in opposite directions, though the use of a single pole for the same reason is also quite common. Actual barbershops, or 미용실 (miyongsil), are more likely to be hair salons; to avoid confusion, they will usually use a pole that shows a picture of a woman with flowing hair on it with the words hair salon written on the pole.

meta

vou fazer a sean connery

Britney Spears, pictured shortly before her marriage to dancer Kevin Federline, proclaiming her love with a T-shirt with the words 'Mrs. Federline' across it. Although Britney did become Mrs Federline, the marriage was short-lived

meu harry :)

own, fofo e terrivel.

vamos reativar isso aqui, dona brit?
ha muito o que dizer e compartilhar. :)

hj assisti submarine. ...

as vezes sinto vontade de escrever sobre minhas experiencias, sobre sentimentos, tanta coisa. mas dai eu lembro que aqui naum eh lugar pra isso.

'Femme Fatale' is basically brilliant

Story filed Thursday, 10 March 2011

So the recent history of Britney is a bit like this: recorded by a detached superstar at the height of some rather desperate lows, 'Blackout' quickly established itself as Britney's surprise masterpiece. Britney's next studio album was 'Circus'. Despite an amazing lead single 'Circus' sounded like the work of a popstar who was involved too much and too little at the same time, the victim of the sort of absent-minded hands-on approach that does more damage than good. 'Circus' was not the sort of album Britney Spears should have been making. It was, quite simply, not very good. Well we had a listen to 'Femme Fatale' earlier. And here's the good news: 'Circus' feels like the work of a different artist. Here's the even better news: 'Femme Fatale' is another 'Blackout'. It's bursting with all that album's best bits - the slightly deranged production, the hard and dark spirit, the massive beats and the big tunes. And while it might be less of a surprise, as Britney is obviously pretty much back on top of things now, on first listen it might just be as much of a masterpiece. It's also a relief, because if 'Femme Fatale' had been a bit of a dog's dinner Britney-as-a-recording-artist would have been over.  To listen to 'Femme Fatale' we went over to Britney's label earlier tonight. The tracks only arrived in the UK at about 6pm, having been whizzed across the Atlantic via a spooky download link thing for internal use by Sony.  Here is what the album looks like on the Sony/RCA/Jive/whatever listening room computer thing.  For anyone amused by the apparently tokenistic dubstep breakdown in 'Hold It Against Me' - and the genre's trademark gloomwobble did rather seem to appear from nowhere then disappear back there just as abruptly - the big news from 'Femme Fatale' is that the foray into dubstep was more than just flirtation. There's dubstep in the DNA of this album. It's rarely as blunt as in 'Hold It Against Me'  - there's no "ooh look at me I'm dubstep" showboating - and 'Till The World Ends' is a far better indication of the album's sound. With some exceptions, this is a heavy, dark and dangerous-sounding Britney album. It's a sound you'll hear in 'Inside Out', one of various songs leaked so far in clip form. Even the will.i.am track 'Big Fat Bass', which sounded unbearable on first listen and seemed likely to reinforce will.i.am's reputation for turning in the worst tracks on otherwise amazing female-fronted pop albums - sounds great. We made notes on the songs one by one and had prepared the title 'Big Fat Pile Of Shit' in anticipation of this song starting but, halfway through, we'd crossed that out. It was surprisingly bearable partly because the second clip that emerged is a far better reflection of the track and partly because the rest of the album makes sense of it.  Lyrically - well, on the surface it's about what happens when you go out and what happens when you get back home, and beneath the surface it may well turn out to be that too. Pop right now doesn't really feel like it needs another set of songs about how great it is to a) go clubbing and/or b) have sex, and 'Femme Fatale' is preoccupied by both those topics, but it feels like Britney manages to sidestep the clublolz trap in the usually awful David Guetta sense or that sometimes awful Ke$ha sense. 'Femme Fatale' is an album with a perfectly defined sound and a clearly established personality. It's a club record in the same sense 'Blackout' was. It hangs together, it makes you feel like having a bit of a dance. It's playful. Gone are the slightly laboured, joyless moments of 'Circus'. Some tracks are fast and some are slow but the nearest 'Femme Fatale'-era Britney gets to a ballad is closing track 'Criminal' (clip here) which has the flavour of 'American Life'-era Madonna - the 'Intervention' and 'Love Profusion' sort of sound. Flute (FLUTE) and guitar are high in the mix here but with hefty, whalloping beats. To these ears it's a darkly comic song about a guy who's basically awful ("he's a killer just for fun fun fun") and whose various character flaws are described all the way through the verses until the chorus arrives with "but... Mama I'm in love with a criminal, and this type of love isn't rational, it's physical; Mama please don't cry i will be alrgiht, all reason aside I just can't deny, I love that guy". Typing those lyrics out it looks a bit bad. But it sounds great. Really great. And when the middle eight swings around we're in classic - and by classic we mean the 'Oops!' album - Britney territory. Coming moments before the album's end it's a brilliantly timed glimpse of the traditional tuneage that put Britney at the top of pop over a decade ago. It doesn't sound much like anything else on 'Femme Fatale', but what's interesting is that it doesn't jar either. Her new album may be stuffed with fantastically aggressive robopop but, at the end of the day, Britney's still Britney.  We'll be able to discuss the album in more detail in coming days via a track by track sort of review but the key points from this overview are: 1. No crap songs. And that, really, is all you need to know. Usual disclaimers apply: we heard it all the way through once, it might sound less amazing on repeated listens but, equally, it might end up getting even better.  This hasn't been a very well written review so apols for that but finally, if you're still reading, we would like to say a thing. From what we've heard from this album (which is the whole thing, bar deluxe edition bonus tracks) and from what we've heard of the Lady Gaga album, they are entirely different bodies of work with entirely different influences and objectives from two entirely different artists at entirely different stages in their respective careers. Between them they offer a fantastic account of pop music in 2011 and should be viewed as complementary, not contradictory. There is room for both. Let's all just try to get along.  And on that note why not pre-order the album here or purchase 'Till The World Ends' here? "Because I am a fool" is the only possible answer.

Read more: http://www.popjustice.com/index.php?option=com_content&task=view&id=5336&Itemid=206#ixzz1GFXywkEW